![]() In early 1514, Afonso de Albuquerque, governor of Portuguese India, sent ambassadors to Sultan Muzaffar Shah II, ruler of Cambay (modern Gujarat), to seek permission to build a fort on the island of Diu. On, an Indian rhinoceros named Ulysses arrived in Lisbon from the Far East. ![]() The rhinoceros The first known print of the rhinoceros is a rather primitive woodcut which illustrates a poem by Giovanni Giacomo Penni published in Rome in July 1515. Eventually, it was supplanted by more realistic drawings and paintings, particularly those of Clara the rhinoceros, who toured Europe in the 1740s and 1750s. It was regarded as a true representation of a rhinoceros into the late 18th century, and it has been said of Dürer's woodcut that "probably no animal picture has exerted such a profound influence on the arts". None of these features are present in a real rhinoceros, although the Indian rhinoceros does have deep folds in its skin that can look like armor from a distance.ĭürer's woodcut became very popular in Europe and was copied many times in the following three centuries. He places a small twisted horn on its back and gives it scaly legs and saw-like rear quarters. He depicts an animal with hard plates that cover its body like sheets of armor, with a gorget at the throat, a solid-looking breastplate, and what appear to be rivets along the seams. ĭürer's woodcut is not an accurate representation. Another live rhinoceros was not seen again until Abada arrived from India to the court of Sebastian of Portugal in 1577. Later that year, the King of Portugal, Manuel I, sent the animal as a gift for Pope Leo X, but it died in a shipwreck off the coast of Italy. Instead the image is based on an anonymous written description and brief sketch of an Indian rhinoceros brought to Lisbon in 1515. Dürer never saw the actual rhinoceros, which was the first living example seen in Europe since Roman times. Para acceder a los subtítulos en varios idiomas, ingrese al seminario web de Zoom durante un evento en vivo, luego abra un navegador web separado para visitar esta página donde puede seleccionar "español" o el idioma de su elección.This impression, National Gallery of Art, Washingtonĭürer's Rhinoceros is the name commonly given to a woodcut executed by German artist Albrecht Dürer in 1515. ![]() English captions are available directly in the Zoom toolbar by clicking the "CC" icon. To access Spanish-language captioning, open Streamtext , where you can select “Spanish” to see the live captioning. This event will include live closed captions in both English and Spanish. This live art-making class is inspired by Albrecht Dürer’s The Rhinoceros. Rendered with linear wizardry, the rich textural detail of Dürer’s rhinoceros inspired countless artistic representations over the next two centuries and was considered a valid image of the animal in German schoolbooks until the 1930s. In this session we will draw a rhinoceros in the wild by first looking at the big shapes and then refining those before committing to delicate details.įree registration via Zoom here. (when prompted, click to sign in as “attendee”) With an emphasis on drawing with pen or pencil on paper, each week’s lesson will be inspired by works in the Museum’s collections. Weekly classes are taught by artist-instructor Barbara DiLorenzo over Zoom. The Art Museum is partnering with the Arts Council of Princeton to provide free online drawing classes. ![]()
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